Materials List - Painting the Dynamic Still Life
San Clemente Arts
January 26-28th, 2018
Instructor: Sarah Sedwick
○ one is for clean Gamsol to use while painting, the other is to store dirty Gamsol.
○ Titanium white
○ Cadmium red light
○ Alizarin crimson
○ Cadmium yellow
○ Hansa yellow (or a lemon yellow)
○ Yellow ochre*
○ Cerulean Blue
○ Ultramarine blue
○ Dioxazine Purple*
○ Ivory Black*
*starred colors are optional
○ Purchasing a plastic view finder is a great, small investment - optional.
○ A simple view finder can also be make from two L-shaped pieces of cardboard and a paperclip
Bring something less expensive, like canvas panels, Arches oil paper, or canvas paper for short painting exercises. At least two 11x14” panels, or equivalent.
Three (11x14 or 8x10, 10x10, or any size you’re comfortable working on for about 3 hours) canvases for longer paintings.
"Painting the Dynamic Still Life"
Would you like to create more realistic still life paintings, while loosening up your brushwork at the same time? Join Oregon oil painter Sarah Sedwick
for a fun and intense three-day workshop focused on the still life as a tool to expand your artistic vision. We’ll delve into the essentials of painting -
value, color, and brushstrokes, exploring both traditional and non-traditional still life subjects with an emphasis on keeping your work loose and
Sarah will demonstrate all stages of the painting process, and students will have plenty of painting time, working on quick, fun exercises and completing
more sustained pieces as well. Oils and acrylics welcome.